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Kid Cudi — Just What I Am

KUDI

Weed, whiskey, pills, shrinks, out-of-control shopping and some wall punching.  Does any of this sound like your life?

Do you ever feel as if the life you are living is just a dream?  Does your life ever feel like a movie?  The places you go, the things you do, the people you meet, the scenarios you find yourself in?  No one is saying that this dream isn’t a nightmare, or that the movie can’t be a horror film.  We have variety for that very purpose, so that very few of our stories will ever be the same.

We live in a society where escaping whatever the reality in your mind is has become a frequent and very consistent occurrence.  It is normal to look for ways to run away from the things our inner consciousness cannot let go of.  So, rather than letting go of the pains we face, we medicate to forget them only to have them come right back with more intensity when the effects of whatever these medications we are using wear off.  And then what?

Building a strong mind is building a stronger life.  If you ask most people, they will most likely give you a sob story about how their life is so much tougher than it looks.  Rarely do you ever come across a human being who will do the opposite and highlight the things that have been most beautiful about their lives.  Not everyday is a mess or a tragedy, so why then do we insist on holding on to the pains that we suffer?  Do we not understand that in doing so we stay in those moments of pain way passed their occurrences?

Just What I Am by the self proclaimed weirdo Kid Cudi is by all accounts the cry of an artist that is trapped in a dream he cannot escape.  It is the justification of a lifestyle that he subconsciously wanted, and without even crediting his mind, he made happen.

Uma complained of a boil on her leg, and fetched a jar of ointment. I smeared a bit of the salve on my forearm.
“Why do you use medicine on a healthy arm?”
“Well, Sis, I feel I am going to have a boil tomorrow. I am testing your ointment on the spot where the boil will appear.”
“You little liar!”
“Sis, don’t call me a liar until you see what happens in the morning.” Indignation filled me.
Uma was unimpressed, and thrice repeated her taunt. An adamant resolution sounded in my voice as I made slow reply.
“By the power of will in me, I say that tomorrow I shall have a fairly large boil in this exact place on my arm; and yourboil shall swell to twice its present size!”

Morning found me with a stalwart boil on the indicated spot; the dimensions of Uma’s boil had doubled. With a shriek, my sister rushed to Mother. “Mukunda has become a necromancer!” Gravely, Mother instructed me never to use the power of words for doing harm. I have always remembered her counsel, and followed it.

My boil was surgically treated. A noticeable scar, left by the doctor’s incision, is present today. On my right forearm is a constant reminder of the power in man’s sheer word.

Those simple and apparently harmless phrases to Uma, spoken with deep concentration, had possessed sufficient hidden force to explode like bombs and produce definite, though injurious, effects. I understood, later, that the explosive vibratory power in speech could be wisely directed to free one’s life from difficulties, and thus operate without scar or rebuke.”  - Autobiography of a Yogi.

Is Mr. Mescudi in pain?  Yes.  But he keeps himself in an almost constant state of euphoria via the marijuana, the liquor, the pills, the women, the shopping, and almost anything else to keep his mind busy other than training it.  The musical production on Just What I Am translates to the chilled out state that weed puts any of us in, and then it is meshed with electronic sounds that represent those momentary flashes of the very things some of you are so desperately trying to escape.

When you realize that facing the pains, accepting what happened as a life lesson, and then letting go is the key to real mental stability and growth, only then will you be able to put down the medications, whatever they may be, at will, and use them only for rare recreational purposes, if at all even needed.

Need a real escape?  Listen to a song that you have never heard before, or read pages that you have never seen before, or, go for a run.  If you are not making every aspect of you progressively better and more complete, and you are in that much pain that you need constant escapes, then why not just go away?

“If you have that much pain… Jimmy, why don’t you just jump off the roof?” - The Black Donnellys

Kid Cudi — Just What I Am


EMPT Presents Indaba Music Weekly: Speakerslut – Delta City Blues

Speakerslut

If your at all a fan of 80s sawtooth synth revivals like Com Truise, you’ll find some refreshingly familiar fare in Canadian producer Speakerslut’s track “Delta City Blues”. Though the track has nothing to do with the Mississippi delta bred style that was so instrumental in forming modern popular music, the sentiment is the same. “Delta City Blues” is crafted like a love note to the synth pioneers of the 80′s, a time when the proliferators of Moogs and Junos longed for the time when their music would be sufficiently embedded in popular consciousness. And now, with the popularity of EDM being what it is, Speakerslut is free to paint these nostalgic notes across the canvas with robotic vocals samples and of course, swaths of prodigious synthery.

Speakerslut- Delta City Blues

Check out Speakerslut on Indaba Music and Soundcloud.


Savoir Adore – Sea of Gold

Today deserves a little bounce in your step and a little smile in your heart. You’ve earned it. I believe that the outside tends to reflect what’s going on inside, in several regards. When you treat your body badly, you look bad. Skin, hair, weight — these all suffer. I think the same thing happens when the world is doing badly. The weather gets bad, the general disposition of the public is depressed. So I’ve been excited all week about this beautiful weather in New York. Hopefully, it means that we’re doing okay for a little at least.

Savoir Adore brings us a pleasant tune of hope. The chorus is a little reminiscent of something Fleetwood Mac might created, with its breathy ha’s. I’ve had a lot of Brooklyn pride lately (but really, always), and any chance I have to write about a band that’s blowing up Brooklyn, I take. Savoir Adore is Brooklyn indie pop-rock duo, and they’ve taken the land by storm via adorable lyrical tunes and awesome drum beats. This song is only further proof of that.

Who are you now?
I’m living in a sea of gold
Who are you now?
I’m living in a sea of gold.”

Savoir Adore – Sea of Gold


Mayer Hawthorne – Designer Drug

Mayer+Hawthorne

Last night I tried a little Adderall.
It was working for a while
until I thought about your smile.
I got that fire Cali medical,
but it never gets me high.
Baby only you know why,
‘Cause darling
You, you are
my designer drug,
and only you
aan help me,
and I can’t get enough.”

The first time I heard Hawthorne spit out the first lyrics to this track in his effortless falsetto, I clapped my hands and yelled, “Yes!” The frankness of this whole track is infectious. Everything from the funky soul beat to the running bass line, and of course Hawthorne’s tongue and cheek story. There’s some seriously good vibes pulsing through this track. It’s like the music is getting lifted by its own sound, and we’re just getting contact high. Tracks with as much groove as this often rely on nostalgia for that extra oomph, but Hawthorne uses his inspiration wisely. He doesn’t appropriate or rip-off his musings, he takes their precedent and makes something completely his own. He’s a creator in the truest sense.

I read an article yesterday about that very idea and it’s presence in pop music today. The article focused on Beyoncé, a polarizing artist if there ever was any, and how she’s more of a canvas than creator. It made some solid points and references the blatant inspiration rip-off’s she’s done for videos like “Countdown,” “Single Ladies,” and “Get Me Bodied.” Now, don’t get me wrong here. I’m apart of the Beyhive, my friends and I sat at our computers each morning of the Mrs. Carter World Tour presale tickets (only to find they sold out in seconds each time), and I’m living for her latest track snippets. Artistry and entertainment are two different fields, though, and Bey falls into the latter. Which is fine. It’s great, in fact. We need personalities and performers like her to showcase brilliant choreography and imagery that would have otherwise gone unknown in the underground. That’s what pop is for. We also need to consider musicians like Mayer Hawthorne, too. They’re work is the original stuff that will undoubtedly provide the ballast for future pop.  You just so happen to be in the know and can point out his influence when you hear something on the radio in the months ahead. You’re here because you’re a creator in your own right and believe in taking what’s been done and spinning it all your own. You get high off of making things, learning, and listening. The mainstream isn’t a bad thing, to be appropriated isn’t a bad thing. It’s an honor, in my opinion.

Anyway, I could go on but this track sums up what I’m trying to say. The lyrics might not, but the sounds and vibrations it’ll send through your body do. That’s the sign of true music artistry, really.

Mayer Hawthorne – Designer Drug


Nicolas Jaar – Boiler Room NYC DJ Set 2013

There’s not much to say here, because there’s a lot to hear. 46 minutes, specifically, of pure blissful listening. When my friend sent this to me, I cleared out 46 minutes just to allow this to happen in my ears, and when I sent it to Hec, he said the same. So, you know it’s a very serious and important journey that will require headphones.

A couple of notes: Nicolas Jaar gets more and more adorable every time he dances. Also, maybe this is a really silly thing to ask, but where do these Boiler Room shows take place? Not at the Boiler Room in the East Village, obviously. Can someone cue me in on this? It looks like sexy times.

Without further ado, enjoy!


ASTR — Operate

ope

We don’t speak for the minions to jump.  No, we leave that shit for the other guys, otherwise what little purpose in life would those guys serve?  Rather, we speak to convey and deliver our messages to the masses, and if we happen to have you as a brand representative, and/or advocate for us, then even better.  If you come here for just the sounds, then awesome.  And, if you come here for a quick escape and some blissful listening, then all the much better.

“Operate” by ASTR is a fresh slice of some serious Space Age R&B.  Unlike the traditional vocals found in those retro songs we love from the 90′s, Operate boasts New Age Rhythm & Blues vocals reminiscent of The Weeknd with vocoded vocal production techniques found in much of Timbaland‘s touches, as well as the more recent Daft Punk single.  They are vocals that still allow space for a very human feel, keeping the emotion in them while balancing the sounds around them well enough to appeal to the younger ears, in turn upstreaming popularity to the rest of the masses.

Very heavy hip hop bottoms that sound like they were mixed by Duro himself, (think Jay-Z‘s Hard Knock Life), attached to hip hop snares with an incredible gage of transient sounds, make our bodies rock slowly as the upper spaces are sparsely filled with higher frequencies we automatically fall in love with.  In all essence, the composition and writing are so perfect for the masses that if this was Rihanna’s next single, it would skyrocket to the top of the charts within days before officially hitting radio.

There is a lot to be said for the hit-makers of our time, and even more to be said for the ones that just arrived.  A huge shout out to ASTR for this great new piece of timeless sound.

ASTR — Operate


Lana Del Rey – Young and Beautiful (Kulkid Remix)

lana-del-rey28

I used to believe that I understood Lana Del Rey, but I was sadly mistaken. That is until her contribution to the steller Great Gatsby soundtrack, “Young and Beautiful,” premiered a little over a week ago. The full OST and movie for the matter haven’t even been released yet and I’m already obsessed. I blame much of who I am today on Baz Luhrmann. Romeo + Juliet blew me away and Moulin Rouge! was the first movie to ever make me cry (I’m not ashamed to say I’ve got a soft spot for doomed love set to an ostentatious plot and musical score). The latter continues to inspire me today, and I’ve a strong feeling his vision for Gatsby will do the same. Anyway! I digress. Back to the music.

Like I said, I thought I was on board the Lana train, but I wasn’t. After I heard this track, I just nodded my head and said, “I get it now.” This is her auto-biography. This is her message, look, and ethos all packed into one of the grandest musical moments of the 2010′s. I was hesitant when a friend sent me this remix because of how powerful the original is, but Kulkid has done it — he’s managed to make a grand macabre ballad into a grand macabre dance track that makes it okay to feel something on the dance floor.

It’s a simple synth melody and drum beat, really, but it’s enough to transport you to space. Lana embodies the story this track tells. The fear that we’re only attractive and wanted when we’re in our youth is as strong as the fear that your lover may wake up tomorrow and suddenly, for whatever reason, be out of love with you. Themes of west coast opulence and rock n’ roll grunge melt together in a way that really only Lana can do, and none of that is lost in Kulkid’s vision. He’s kept the remix minimal so that we focus on the words of the track. It’s a bold move, in my opinion, but it works.

Lana Del Rey – Young and Beautiful (Kulkid Remix)


Rebecca & Fiona — Church Is On Fire

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This is only a drill.

Cue the war drums and get ready for the revolution because it begins today.  Forget everything you have been taught because it’s probably all wrong;  everything.  Forget the things you learned at school, because most likely, they were all one-sided pov’s implemented by idealistic men who thought they could not learn anymore, because, of course, they knew it ALL.

But what about the system of government that you live in now?, you ask.  Well, forget that as well, because wherever you may be on this beautiful planet of ours, your system of government sucks, and you, my friend, already know it.  How many times have things you have read about or experienced personally never made any sense?  How many idiotic laws implemented when our great grandparents were kids are still around that don’t make any sense?  Ask me, I can start a never-ending list for you if you’d like…

As for religion?  Don’t let us get started.  We are an odd species that accepts being blown to smithereens out of nowhere, as if we were in some kind of video game, than to face the fact that our entire existences are weird.   ”He died plastered by a bus crossing the street“, “she died in a freak jet skiing accident“… More lists that go on, and on, and on.

Religion was a way to explain things that didn’t make any sense, with other things that made even less sense.  Because of our deeply embedded programming, we have come to accept these things and never question them; or at least some of you never do.  But what happens when the species gets smarter and learns more?  I’ll tell you what: we simply start to see that nothing is really what it seems..

The church is on fire
The steep is burning, people turning
The matchbox learns the war to dance
We threw out the flyers
Two steps from the liars.”

Church Is On Fire featuring Spank Rock is a much darker and a lot slower tune than these lovely ladies have put out in the past.  It’s a lot less house and a lot more electro that slyly showcases hints of its Suicide inspired vocals and sounds to hypnotize the inner soul.  The eeriness of the redundantly enchanting synths and bassline allow it the space for a signature heartbeat that we find ourselves bopping to and enjoying until it quits.

Put on your war paint, think about all of the unfairness you have seen, heard, experienced, or read about and get ready to make a change.  This change won’t be easy, and some of you may die today in order to give those you love the freest tomorrow ever known to mankind, but isn’t that in itself worth it?

Like I said, this is only a drill, but if you find yourself on our side, then stay awake for more clues to come, and in the meantime—rebel.

Rebecca & Fiona — Church Is On Fire


Disclosure – You & Me (Feat. Eliza Doolittle)

disclosure eliza doolittle you & me

This is scratching an itch that hasn’t been taken care of since SBTRKT’s debut dropped a few years back.

The brothers that make up Disclosure, Guy and Howard Lawrence, are 21 and 18 respectively. Seeing as they’ve putting material out since late 2010, it’s enough to make 23 year old feel like I’ve been over the hill for a while now. Oh well. I can’t be mad about it, especially when the Brothers Lawrence are bequeathing the listening public with a song this good.

You & Me starts off with some nicely syncopated drums and it only gets better from there. I’ve never heard the whole dubstep/post-dubstep/future garage/whatever sound married to pop songwriting work as well as it does here. It sounds so good on paper – evocative melodies, esoteric effects, skittering drums with a verse-chorus-verse form providing a foundation, all given a powerful boost by a forward facing production– that you have to wonder why it’s not applied more in practice. Some cinematic strings underpin the second half of the two-part chorus and they’re an absolutely sublime addition. Sublimity is basically You & Me’s M.O.

And those vocals! Eliza Doolittl;s presence really elevates the proceedings to the next level. Doolittle has this naturally earthy soulfulness to her voice that’s immediately relatable. She’s also got enough technical ability that any vibrato or sudden leap in pitch sounds effortless. The paramour pep talk that comprise the lyrics are uplifting. Pretty damn sexy, too.

Home is where the heart is
And I gave it to you in a paper bag
Even though it’s tarnished
You told me it’s the best you ever had
You got my secret combination
And I don’t be giving that out easily
In my deepest dedication
I could tell that you had brought the same for me

In your big house on the hill
Where you keep your dollar bills
And you stashed my heart
Somewhere in the dark
Keep it safe I know you will
Know you will, know you will
Know you will
I know you will.”

I can’t stress how catchy You & Me is. The song has hooks to spare. The chorus itself is really broken out into three parts, each section distinguishing itself in the ways it will entice you.

The last minute or so of the track is a lone, programmed beat rattling away. It only takes a few seconds for one to realize that it’s the same beat that lead the intro of the song. This sonic bookend is just pleading with me to put this one back into immediate rotation. I happily oblige.

Disclosure – You & Me (Feat. Eliza Doolittle)


PLOY – VRDSNT

ploy

New York City has been on a roller coaster of spring weather over the past two weeks or so, and today it finally feels like spring. I know the season’s changing when I can cuff my skinny jeans and throw on a white t and not worry about anything else. The streets are buzzing with weekenders doing weekend things, some are clearly hungover, some are too full from brunch, and others are just trying to get from A to B without pushing people out of their way and yelling at strangers. I’m usually the latter when it comes to commuting, but today I took the long way from my apartment to my studio and eased my way to my desk. I blame the sudden sense of carelessness on this track from DC duo PLOY.

There are some songs that scream summer, and this isn’t one of them. It’s a spring track. It’s got lighthearted feet, but a deep soul. The synths bounce up and down with the bass and the vocals are funk infused — and interestingly sexy. PLOY takes you to some sea-punk cosmos that’s giving off some cali-cool vibes with a brooklyn edge. “VRDSNT” will make you feel good. The cheeky confidence of the track is infectious. It’s pure electro-pop that’s as refreshing as champagne with brunch, and goes down just as smooth.

Sunday funday, meet your musical lover.

PLOY – VRDSNT