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Oliver – Light Years Away

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My music taste lately has been skewing old. Lot’s of New Orleans blues, 60’s live rock recordings, and of course Cambodian surf rock from the Vietnam era. Friends and family, who constantly ask me for new music, have been disappointed of late when I weakly shrug.

So thank goodness for my favorite radio DJs spinning late night on KCRW. Friday nights with Travis Holcombe are a crash course in the newest bangers from across electronic genres, and after attending an intimate Chris Smither concert, I needed a dose of upbeat happy.

Mr. Holcombe obliged. I’d heard of Oliver before, but hadn’t delved into the duo’s discography. They are leading electro away from nu-disco and into a post-nu-disco era (only half facetious…) I compare them to Fake Blood, but able to reach the pop sound that he never did (or never wanted to), and group them with producers like Breakbot and Aeroplane. However, their latest EP, “Light Years Away,” throws in a hefty dose of Gestaffelstein for good measure, bringing a much-needed grit to the often sugary nu-disco formula.

And who can say no to a diva vocal disco bridge?!

“Light Years Away,” the song, is an all-timer at first listen. It is tonally dark, while maintaining an uplifting twinkle in its eye. The grimy snap bass tears a wormhole in the space time continuum, the sparkling diva break exposes us to the ecstatic gamma rays within. Both a militant, industrial shredder and a funky shoulderroller, this track will undoubtably worm its way into your rotation, and boom over dance floors around the world this holiday season.

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Birdy – Skinny Love (Fareoh Remix)

This remix captivated me. The song and the lyrics (listen to the original by Bon Iver) are amazing. It is popular because people see their hurt in it. The struggle in something. The definition of skinny love seems to take on many meanings. One being when two shy people like eachother but never act on it, crippled by their dilapidating interpersonal tendencies.

Come on skinny love just last the year,
Pour a little salt we were never here,
My my my, my my my, my-my my-my…
Staring at the sink of blood and crushed veneer.”

The other way you hear this is when someone is hurting, they are without. The struggle of seeing someone you care about and they are hurting. Withering away in front of you. But you need them to hold on enough to keep going and trying. And sometimes it is hard and everyone feels guilty and sad and wanting to feel better.

And I told you to be patient,
And I told you to be fine,
And I told you to be balanced,
And I told you to be kind,
And in the morning I’ll be with you,
But it will be a different kind,
‘Cause I’ll be holding all the tickets,
And you’ll be owning all the fines.”

I hate fights and conflict. The danger of that being is you avoid all conflicts and issues until there is no room to brief. The weight of the decisions made have  crippled you. Every path is different and struggles are completely subjective but that doesn’t mean they are any less real, but the struggle intensity is how you see it. And sometimes you need someone to pull you out.

Skinny love to me is that. It is a plea with someone you care about to be ok. That is why this mix just spoke to me. It has this message and Fareoh made it into something that comes off as dancey and happier. A perfect balance or juxtaposition.

A perfect Friday release.

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Darkside – Gone Too Soon

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Reclaiming the space. The space in my brain. The space which is integral to my creative endeavors (e.g., everything) and overall experience of the world, the space which is rightfully mine and enables me to gravitate towards the other cool-ass motherf@#kers oscillating on that higher wavelength.

Last night I got to catching up with one of my besties and our conversation oscillated around the theme of endings– or rather, lack thereof. What is it about this day and age that encourages such half-ass tomfoolery? Especially in the realm of *relationships*? How can you ever really break with someone when they’re constantly raping your news feed? It’s getting damn near impossible to cultivate any sort of healthy distance with one’s exes thanks to social media. Thanks for that, social media.

Sometimes you just gotta Shut It Down. Away with the has beens. So long to the ‘what if’s’. Delete, delete, delete. We are talking literal, metaphorical, and metaphysical deletion here. All I know is that you never really can know so what’s the point of pretending you do? Letting the words drown out the actual actions is a waste of time; fabricating bullshit only leads to more bullshit, even when you’ve got the best of intentions. So either you’re going to play an instrumental part in my universe OR you can piss off, dear sir. Cheers, thanks.

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Tom Misch & Carmody – We Used To Know

But we let it go, let it go, let it go…

Embrace your somber side by listening to Tom Misch & Carmody’s lovely track, “We Used To Know”. The pair has been working on an EP that will be released later this year. Both musicians are from South East London, and actually live down the road from each other!

There’s something about Tom’s music that is soothing to my soul. It’s not just this song that caught my attention. After hearing only a few of his songs, I knew he was an artist I should pursue. And I did! I downloaded his first album named “Beat Tape 1″ earlier this week and have been thoroughly enjoying it. In “We Used To Know”, his use of barely-there guitar strums and minimalistic percussion alongside his sultry voice captures me straight away. Carmody’s voice only amplifies the melancholy atmosphere conjured up by this song. The track is about breaking apart and drifting away; about the empty feeling that ensues after a breakup. The song carries soul, and the pair work well together to evince those familiar feelings of loss.

Be careful! This song isn’t forgettable. I’ve been humming it all day! Maybe it’s my current mood; it’s been dreary out, and my mood has been negatively affected by the sudden cold. We can’t be happy all the time! Life has taught me that a bout of sadness is natural and shouldn’t be ruminated upon. So let the blue songs speak to you; appreciate your varied emotions!

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Rhye — Open (Max Joni & Daniele Di Martino Remix)

I guess we have no choice but to connect music with our immediate surroundings sometimes and, of course, the things that are happening in our lives at those very moments. I guess this is why some songs resonate more profoundly within our hearts than others. I’m also guessing that this is why some songs resonate more vibrantly with our feet and other dancing components than with our hearts, too.

Watching a certain movie last night I came to realize more of what I already knew. Now, I know that this will probably sound creepy and a little crazy, but my realization is that most of America is full of narcissistic sociopaths all searching for the most idealistic love stories. Pay close attention because I said: love stories, and not just love. 

We meet someone at a party, instantly fall in love with them, and end up in a sexual relationship before even fully knowing this person. We are all guilty of this, but it’s part of our culture nowadays. I mean, how many people have been married to psychopaths only to realize it decades down the line because they never really paid attention to the tiny clues, or they never really got to know who they were fucking? It’s a constant cycle that we see more and more of. Well, the problems aren’t the sociopaths. No. The problems are us: the 11 year-old versions of us looking for Prince Charming and Barbie in every person we meet.

Tunnel Vision is defined as defective sight in which objects cannot be properly seen if not close to the center of the field of view. We suffer from tunnel vision in the loves that we make simply because we are searching for the things that we selfishly want to see in these people rather than finding out who they are and accepting them. Why? Because maybe who they are may not be to our standards, and so we open the doors for these sociopaths to come in and do what they do best—lie.

Max Joni & Danielle Martino‘s Remix of Rhye‘s “Open” is their version of what they believe the dance world wants to hear, and they nailed it. Maybe it is a sociopathic version of what the original really is, or maybe it’s the best version of what the original could be. We won’t know because all we care about is what the 11 year-old version of us want, and once this tune comes on blaring through your speakers, it is exactly what those versions of us will want.

I’m not here to teach you about life. I am here to open up your eyes to the things inside of you that you have not yet learned to accept, good or bad. At what point do we take accountability for the sociopaths we have dated, continue to date, continue the cycle of dating, or find ourselves currently with? At what point do we realize that there is something wrong in ourselves that we need to change in order to attract the energies that we truly need rather than those we desire? Like this seductive remix does when it becomes music that tells us what to feel and where to go to feel it rather than the same old dark places we only find ourselves brooding in and suffering with.

I’m a fool for that shake in your thighs
I’m a fool for that sound in your sighs
I’m a fool for your belly
I’m a fool for you love”

Rhye — Open (Max Joni & Daniele Di Martino Remix)

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Darkside – A1

I’ve been reading The Operator for the last two weeks. For those not familiar with the book, it’s the story of David Geffen, one of the most successful entertainment executives to live and unquestionably the most successful music executive in history. His story is one of a highly motivated, bold and ruthless deal maker who through sheer vision and determination accomplished more in his youth than most people do in their lifetimes. Think of an iconic artist, think of one of your favorite movies growing up or your favorite broadway shows, there’s a very good chance David Geffen was involved in making it happen.

In the book, the concept of morality is challenged and the saying ‘rules are meant to be bent or broken’ has never been more appropriate. I’m a pretty open minded person and for the most part manage to make my own judgement calls on what is moral without letting culture or society dictate my beliefs. However, some of the things Geffen did to get to capture the throne are unanimous decision fucked up. I didn’t know what to make of this since on his road to success he also created immense opportunity for others while essentially using them for his bigger goals. Then a friend put me on to something Nicola Tesla said…

If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.”

There’s no way I can capture how profound that statement is but it has made me think about everything differently. For example, when thinking about Geffen, I don’t see his actions anymore, I see his energy and what it did. Despite being extremely manipulating, selfishly cunning and Machiavellian, his energy created. Where others hesitated and cowarded, he became bold and fearless. When others laid down to die or compromise he fought to live. That resilience is what allowed him to be the broker that created opportunities not only for himself but everyone around him. By no means do I endorse his approach but I respect his energy and I’m inspired by it.

Yesterday I went to Paramahansa Yogananda’s Self-Realization Fellowship in Malibu. I read The Autobiography of a Yogi about a year ago and it changed my life but I somehow never made it out there. I spent most of the day in mediation and awe at what the Swami had manifested. Yogananda’s compassionate, empathic and spiritual approach couldn’t be further from Geffen’s ruthless and harsh ways but they share one thing – relentless energy. They both created things by harnessing a fearless and bold energy. Our human eyes would look at the contrasting men as positive and negative, in the spiritual realm I’m not sure how it translates.

When you look at the world through the lens of energy, frequency and vibration you no longer see a good looking guy or a beautiful girl, a ruthless businessman or kind pastor, you see their pure essence. People can use words, concepts and ideals to mask their identity from others and even themselves. David Geffen played his victims masterfully by doing that exact thing. Look at the ‘Catholic guilt’ concept and then look at all the perverts that got exposed. They not only used the guilt to control others but also to suppress their own desires which eventually led to those acts. Similarly, a person who ‘never lies’ could be masking that very weakness and projecting it onto others. Energy on the other hand can’t be faked so focusing on your intuition and listening to your gut when dealing with people is essential.

I chose Darkside’s A1 because it’s pure energy. It’s dark, sexy, mysterious and has a bass line and groove that engulfs you with pure, unadulterated vibe – that which can’t be faked. Space Age Bachelor Pad Music at it’s very best, enjoy.

Darkside – A1

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George Maple – Talk Talk

Now here’s something nice and refreshing: a female vocalist wistfully singing meaningful lyrics accompanied by catchy synth, instrumentals, and upbeat percussion throughout. I’m a big fan of this category of music.. that along the lines of Jesse Ware and La Roux. I have so much respect for these women. I’m not sure how much of my fancy toward George Maple is pure admiration, and how much is the actual material at hand.

All you wanna do is talk. All I wanted was your reckless heart

What do you do in this situation? One partner highly values actions, the other – words. Can this partnership survive? I’ve been in both sides of the equation. Well actually, I used to be the one to want to talk. talk. talk. But after years of this, I noticed how much fluff words are made up of. People can say ANYTHING and be genuine about NONE of it. Of course this is an extreme, but because I’ve seen so much sly and conniving behavior, I’m a skeptic of what you have to say without also observing actions that support those words.

I can feel the hurt in George’s words. She wants to just go along with this thing, and doesn’t want to talk about it. Her feelings are not reciprocated in her partner’s words, but she feels a physical connection to him. She feels powerless in this partnership, and it’s something I can empathize with.

Waiting, hesitating…

George Maple’s (real name: Jess Maple) “Vacant Space” EP is out December 1 via Sydney-based label Future Classic. I’m looking forward to what she’s coming next for her. I can definitely picture her doing good things with such artists as Nicolas Jaar and Flume. Cross your fingers that those collabs will occur!

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Giorgio Oehlers – I Rise

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Woah is me. It’s been a tumultuous week of seemingly endless petty obstructions… e.g., hello, transformation. I can truthfully say that I’m learning to embrace these heightened cortisol levels and the wonders they do for my creativity. I roar in the face of calamity and acknowledge the adversity— after all, you either own it or it owns you (at least on a subconscious level). Embrace it or abandon it, there is no middle ground. You’re either fighting the good fight or you’re not. On that note, Thursday evening vibes via one of my favorite labels these days, Darker Than Wax

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Fragile – Maya Payne (MCHNCL Remix)

Break-ups are contagious. Like most things really. When your friend gets a new job, you start to look at your situation and career and size it up. Complaining or sharing your dislike for something has actually been shown to be more of a bonding moment for two people than other social interactions. Sadly.

But the break-up is always one. I remember seeing it in a show or movie or something (In retrospect it was The League) where a couple gets freaked out when their friends get divorced and they say it then “These kind of things are contagious.”  You see your friend, either miserable or liberated, but either way you see them broken up. You see the process, the internal and external monologue, the aftermath. You start to compare this

A friend recently broke up with her long time boyfriend because he didn’t get her and didn’t allow her to be herself truly or what she deemed as herself fully. But relationships are tricky. There is the fine line where this person pushes you to be a better version of yourself, a reason to be with your partner, and then person you feel like you are that you still feel like you need to hide. More than the first time you fart in front of them, its the stuff behind the curtain. The stuff under the hood. Where do you draw the line of what to share or if you do, can they handle all of it?

Being a girl and a friend to her, we talked about all of this in length. And like osmosis, the conversation seeps in to the skin and your head. I am reminded how fragile we are and our relationships can be. The layers and lies and truth and white lies that create a web that you can either stay in or escape, which is never easy. But we are fragile. I think what struck me about the conversation was how many times she said she was broken. She was stuck. I feel broken. I am stuck here. And like that those words sink in to anyone’s skin that is within earshot. Sinks in to the bones. “Am I happy?” “Am I stuck?”

Then comes the realisation that the only thing you are connected to physically is the earth and all of the other bits and shit and ties and break-ups are in your head. But we are fragile, so we need to take care of ourselves and each other. And try to keep what is in your life your life and your perspective in check. I am reminded we get exposed to different ideas and there are more chances to hold a microscope up to your life and pick and choose what you share and what can remain yours and hidden. I imagine the key to life or happiness is learning what those are and who to share them with.

This song just resonates all of this.

“What is to give light must endure burning.” – Viktor Frankl

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Clair De Lune — Motez Remix

The hardest day of the week has just passed for some of you and today is coasting by because tomorrow marks the midweek, and, because Thursday somehow still marks the start of the weekend. Important conferences and meetings are over and today you get a small breather in-between deadlines, tasks due and emails that must be replied to. Most of you come over here to listen to something refreshing and grab some perspective on life, and today, refreshing is what you will get with this awesome remix of Flight Facilities’ “Clair De Lune” by Motez. 

Motez, true to traditional remix form, maintains the lovely vocals and twinkle, twinkle little star bells that make the original such a soothing tune to keep on replay, and gave it some groove so that we could all enjoy it anywhere at anytime.

Turn this baby up right after noontime at the office to give you that boost of sonic java that will keep your Tuesday rolling right through, or request it to the DJ this Thursday night, you know, when your weekend begins and you are out partying with the last few warm remaining breaths of Summer air that Autumn hasn’t completely eliminated yet.

For once, in a long while, presented here is a remix that leaves what completely inspired it within its core, truly paying the utmost homage to it and completely giving it an entirely new life; and sometimes, what we truly need in our very own worlds is: an entirely new life.

Enjoy. Free your spirit if your spirit isn’t already freed—at least for the day, today, and let your soul dance if your feet can’t actually do it at the moment. I know you are at work, or maybe at home working, but when was the last time you got up midday and danced just a little?

Clair De Lune — Motez Remix

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