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Disclosure – You & Me (Feat. Eliza Doolittle)

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This is scratching an itch that hasn’t been taken care of since SBTRKT’s debut dropped a few years back.

The brothers that make up Disclosure, Guy and Howard Lawrence, are 21 and 18 respectively. Seeing as they’ve putting material out since late 2010, it’s enough to make 23 year old feel like I’ve been over the hill for a while now. Oh well. I can’t be mad about it, especially when the Brothers Lawrence are bequeathing the listening public with a song this good.

You & Me starts off with some nicely syncopated drums and it only gets better from there. I’ve never heard the whole dubstep/post-dubstep/future garage/whatever sound married to pop songwriting work as well as it does here. It sounds so good on paper – evocative melodies, esoteric effects, skittering drums with a verse-chorus-verse form providing a foundation, all given a powerful boost by a forward facing production– that you have to wonder why it’s not applied more in practice. Some cinematic strings underpin the second half of the two-part chorus and they’re an absolutely sublime addition. Sublimity is basically You & Me’s M.O.

And those vocals! Eliza Doolittl;s presence really elevates the proceedings to the next level. Doolittle has this naturally earthy soulfulness to her voice that’s immediately relatable. She’s also got enough technical ability that any vibrato or sudden leap in pitch sounds effortless. The paramour pep talk that comprise the lyrics are uplifting. Pretty damn sexy, too.

Home is where the heart is
And I gave it to you in a paper bag
Even though it’s tarnished
You told me it’s the best you ever had
You got my secret combination
And I don’t be giving that out easily
In my deepest dedication
I could tell that you had brought the same for me

In your big house on the hill
Where you keep your dollar bills
And you stashed my heart
Somewhere in the dark
Keep it safe I know you will
Know you will, know you will
Know you will
I know you will.”

I can’t stress how catchy You & Me is. The song has hooks to spare. The chorus itself is really broken out into three parts, each section distinguishing itself in the ways it will entice you.

The last minute or so of the track is a lone, programmed beat rattling away. It only takes a few seconds for one to realize that it’s the same beat that lead the intro of the song. This sonic bookend is just pleading with me to put this one back into immediate rotation. I happily oblige.

Disclosure – You & Me (Feat. Eliza Doolittle)


PLOY – VRDSNT

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New York City has been on a roller coaster of spring weather over the past two weeks or so, and today it finally feels like spring. I know the season’s changing when I can cuff my skinny jeans and throw on a white t and not worry about anything else. The streets are buzzing with weekenders doing weekend things, some are clearly hungover, some are too full from brunch, and others are just trying to get from A to B without pushing people out of their way and yelling at strangers. I’m usually the latter when it comes to commuting, but today I took the long way from my apartment to my studio and eased my way to my desk. I blame the sudden sense of carelessness on this track from DC duo PLOY.

There are some songs that scream summer, and this isn’t one of them. It’s a spring track. It’s got lighthearted feet, but a deep soul. The synths bounce up and down with the bass and the vocals are funk infused — and interestingly sexy. PLOY takes you to some sea-punk cosmos that’s giving off some cali-cool vibes with a brooklyn edge. “VRDSNT” will make you feel good. The cheeky confidence of the track is infectious. It’s pure electro-pop that’s as refreshing as champagne with brunch, and goes down just as smooth.

Sunday funday, meet your musical lover.

PLOY – VRDSNT


Bat For Lashes – All Your Gold

It’s supposed to be seventy degrees outside today, and I have shivers because of this song. Bat For Lashes strong feminine vocal presence is responsible for most of my emotion right now. But that guitar that lasts through the entire song, what should be just a highlight introduction, gives the song an edge. This is what makes the vocals stand out. Each are doing different things, and they blend together beautifully.

There was someone that I knew before,
A heart from the past, that I cannot forget
I let him take all my gold, and hurt me so bad
But now for you, I have nothing left.”

There’s something so inherently innocent and simple about this song. Listeners can relate quickly, and yet, it’s not a sad song. If anything, it’s a little more attitude driven. There’s that punch. Almost as if to say, look what you’ve done, more than anything else. It’s that idea that your mom probably talks about when she warns you about falling in love. Give it your all if you’re sure, but be skeptical. But more importantly, don’t give your best kept things away. Cherish a few things of your own, keep some secrets.

In other words, don’t give all of your gold away.

Bat For Lashes – All Your Gold

 


RRod – With The Suit & Tie On (Marvin Gaye vs. Justin Timberlake feat. Jay-Z)

Here’s the thing. Both Marvin Gaye and Justin Timberlake are two of my favorite musicians in the whole world. I stand by that statement for. Ever. JT’s debut album was one of the first CDs I owned. It wasn’t the first one, okay? Shakira holds that spot, but only because I found that CD first. I’m an honest and loyal supporter of Mr. Sexyback. As for Marvin Gaye, do I really have to say a lot? He’s the king of soul and the king of my heart.

You can imagine my happiness when I came across this.

I’m really picky about mash-ups. In fact, I’m so picky that I’ve only ever written about one, and it happens to be this Captain Cuts remix. It’s hardly even a mash-up because it’s so new. That being said, you can trust me when I say that what we’re dealing with here, is a lovely collision of two masters and their soothing sexy voices.

Damn it. I have to finish writing my thesis, but this song has my heart and mind in another dimension of fantastical sexy ruminations. Neither of these men, or RRod for the matter, have any idea that I need to be productive right now, but hey. There’s no harm in imagining yourself to a more sensual place, even if the place you’re physically in is not that sexy. I mean, I am sitting in a cafe sipping happy hour Black Chocolate Stout, so things could definitely be worse.

Take your suit and tie off and get it on.

RRod – With The Suit & Tie On (Marvin Gaye vs. Justin Timberlake feat. Jay-Z)


Jai Paul – Crush (Jennifer Paige Cover)

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Just who exactly is Jai Paul and what planet did he come from? Seriously, who is he? He’s one of the most enigmatic artists out there today aside from Bon Iver when Bon Iver was still Bon Iver (you feel me?). His sounds are out of this world. They spin, twirl, mix, and mash up whatever genre you think he’s falling into. One moment he’s R&B, then he’s funk, then he’s pop, then he’s indie — there is no box that can contain the full breadth of Jai Paul, and he hasn’t “officially” released his first LP. I use “officially” lightly here because the internet went bonkers over what’s been rumored to the album leak, but Paul denies it — although after reading this article, all indications say yes, it’s the real thing. Official or not, a lil’ bird dropped it in my mailbox a few weeks back and it’s been crazy ride ever since.

All of the tracks are untitled, but some have had titles attached to them. “BTSTU,” for instance, is Track 16. His effortlessly sexy “Jasmine” is Track 09, and this cover is Track 07. I had honestly forgot about this song until it resurfaced itself under Jai Paul’s name and frankly, I still don’t remember the original. I’ve listened to it since hearing this cover, but it doesn’t hold a candle to the work Paul’s done. The tension and release of the synths gives the song life while quick keyboard chord blasts give you something to flip your hair to. Paul’s voice had a tinge of sleaziness to it, which in this author’s humble opinion, is a lot more convincing than Jennifer Paige’s breathy delivery. You be the judge, though.

If “BTSTU” didn’t win you over, this track will. Get into Jai Paul. Get down to him. Get lifted by him. Get real with him.

Jai Paul – Crush (Jennifer Paige Cover)


Kris Menace Featuring Black Hills – Waiting For You (Oliver Remix)

Can you imagine what the world is going to look like in five years? In ten?

The march of progress, in technology and culture, is inexorable. The really great thing about it? Our vision of tomorrow is constantly shifting. So which future are you looking forward to? There’s those that think our urban centers are going to take an agrarian turn. I’m not talking farms in your backyard as much as massive towers, smartly laid out with open indoor green spaces and fauna covering the exterior, that are more organic than they are pre-fab. Hell, some close friends of mine are looking forward to getting uploaded to the internet, Matrix-style.

Though it is looking less and less likely an outcome, there will always be a spot in my heart for some kind of Blade Runner-esque metropolis. With less grime, of course. At least that possible future has a bit of character to it! A bit of grit to go along with the towers imposing their size and geometry against the sky and the sleek user interfaces of our floating Minority Report computer screens.

I’ve been biased by today’s musical selection. It’s impossible not to conjure those visions while Kris Menace Featuring Black Hills’ Waiting For You (Oliver Remix) is pumping through my headphones.

Well, there’s a bit more glamour and glitz in Waiting For You. But the vibe is about right. The synths alternatively twinkle and warble high in the mix or they’re providing the full-bodied mid-range bounce. The remix manages this wholly contemporary trick of integrating some of dubstep’s penchant for glitchy maximalism, nu-disco’s devotion to melody, and a very 80s brand of confidence.

No matter what philosophy on where the world is going you subscribe to, I’m certain you’ll be able to get down with this.

Kris Menace Featuring Black Hills – Waiting For You (Oliver Remix)


Ellie Goulding – Without Your Love (Amtrac Remix)

There’s a shift happening in my life and for once I’m completely cognizant of it all. I can feel the change in my gut, sense it in how I’m forming my thoughts, and my mornings are becoming easier, lighter even. It’s not love, but it’s something close to it I think. It’s a sense of purpose — a drive to actually go out and be the person I know I’m meant to grow into. Like Ellie says in this song, “I’m getting somewhere.” Yeah, this track is about how free she is without her love weighing her down, but I’m latching on to the liberation theme.

I hesitate to peg an artist as a favorite, but I can confidently say that Ellie Goulding is one of my top three favorite music artists. Aside from being one of my biggest style inspirations, her sounds are infectious. I listen to Halcyon maybe three times a week in full. I get lost in her music. I think it’s her balance of atmospheric soundscapes with hard pop beats — not to mention, her lyrical abilities are incredible that keep me coming back. Her music is joy; it’s youth; it’s glitter (three things I’ve kept written on a chalkboard in my room to keep me grounded). She knows her voice is an instrument and exploits that. I don’t know her personally, but there’s this sense that she just gets it. I want to pick her brain, be her best friend, and have her write songs about our life together. But before I digress into some wayward afternoon daydream, let me talk about this track.

“Without Your Love” is a bonus track from her UK release. Last week, she released a 40 minute Halcyon remix for her partnership with Nike and this track is featured. For being such a fangirl, I was a little disappointed in myself for not knowing this track. I loved it nonetheless. Hearing the full song is a trip. Amtrac picked up on the original’s tribal influence and spun it into a driving dance beat that’s perfect for running or giving you that extra boost of energy your afternoon coffee won’t to pound through the 9-5.

This song is a chant. She repeats “without your love I’m getting somewhere” in vain. She’s shaking off whatever’s holding her down and living the way she wants to. This song will get deep beneath your skin and get you moving.

Turn this one up and go.

Ellie Goulding – Without Your Love (Amtrac Remix)


Savoir Adore – Dreamers (Xaphoon Jones Remix)

It’s my favorite day of the week! Here’s an excellent song to match a productive and beautiful day.

So much of what I talk about on here has to do with presence. I have recently had my ability to remain present put to the extreme test, with the amount of work I’m trying to juggle for school and such. With the final stretch of school, I’ve never felt like such a perfectionist in my life. It’s kind of incredible, that my brain waited this long to help me realize this. I guess I just feel like I have one last shot at giving something that was very long term, my all. And I will never have this kind of opportunity again, where I end the education of sixteen years with a note of solidarity and independence. I’m excited, because I’ll never have the chance to focus all of my efforts on one thing that works toward a definitive end goal (that is, graduation). Although, I suppose all of life is just working towards a definitive end goal, some conclusions may be a little less grounded than others.

I think the best part is that our mindset doesn’t necessarily have to change just because we’re graduating from one area of life, to the next. Like for me, education has always been my life’s mission. That is, not even in a technical academic sense, but in a life sense — learning from life. I think that’s a good place to rest the mind, because it means you’re open to new learning experiences, and you’re never letting go of something that stays with you from childhood.

It’s the end of a formula, something that was calculated. I think that’s what’s dawned upon me. I’m so happy and emotional about it, and it was that sentiment that brought me to this song. I’ve listened to Savoir Adore before and experienced nothing but pleasure and happiness with the music, so I wasn’t surprised at all to encounter this remix that helped ground me in this moment. The distant vocals in the beginning paired with a clear and crisp guitar picking happy notes, leads up to a tremendous but tasteful blend of sounds that can only lead you to bliss.

Take this song with you on your journey, and maybe, today is a good day to figure out what your long term goal is. Not the goal you can physically hold and touch, like having a new apartment or house, but the mental goal.

Where’s your head trying to go?

Savoir Adore – Dreamers (Xaphoon Jones Remix)

 

 


Bear Mountain — Congo

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A song that can make you move has most likely done its job to the fullest.

Music is the manipulation of sound waves that in turn can manipulate us to do basically anything, it, or the mad sonic scientist behind it, wishes us to.  When we here strong percussions like the ones found here on Bear Mountain‘s “Congo”, depending on where we are from, we can easily relate them to past sounds we have heard.  For some of us, these sounds might remind us of our childhoods, our cultures, a movie we once loved, an implanted memory we once wished for; the ties to our minds are endless.

Congo was made for the world to feel-good.  It incorporates today’s most popular elements found within the favorite “EDM” genre.  Syncopated bass lines, arpeggiated synth chords, live instrumentation, and strong, overpowering vocals, yet BM throws in a very infectious African Vocal sample in obvious relation to the Congo title, that simply warms our hearts and allows for the track to breathe in a larger-than-life presence exhaling a musical aura of epic proportions.

Some music is meant to make you feel sad, other music is meant to just make you dance, Congo was meant to make you feel amazing while at the same time emanating that feeling that we all get when we know something will be much bigger than we think it can be.

There is sometimes nothing more to say about things other than what they make you feel, and even then we can always say less.

Enjoy.

Bear Mountain — Congo


Ellie Goulding – Don’t Say A Word (Star Slinger Remix)

I’m sitting in my kitchen and my roommate is making crepes. She’s playing blues music off her computer and I’ve got headphones in listening to this. Am I the epitome of a technology addicted music blogger? I don’t know. I hope not. I’m really into the song though. The scene that’s happening in my kitchen is mildly hilarious because of how relaxed the outside world is and how my ears are living in a raging night club from the ’90s. Am I wrong to say that perhaps this song does take something from the ’90s? I think it’s mainly the beat, quick and skippy.

I intended to finish this post earlier in the day, but alas, my internet was down. Instead of sitting around the apartment waiting for it to come back again, I went on a bike ride to the Brooklyn Botanical Gardens and chilled with the cherry blossoms. We get really caught up in technology, myself included, and it’s nice to remember that there are much realer things going on in the world. That’s not to say that the Internet is not wonderful, because if it didn’t exist, how would you get your music from us? I’m saying that taking what you can get from the Internet is a beautiful thing, and then using it to fuel your outside world that interacts with everything else, is even better! Maybe I’m saying that you should take this song with you on your next adventure, let it inspire spontaneity.

Ellie Goulding – Don’t Say A Word (Star Slinger Remix)