Beshken ft. Soraya – Right Time

Santa Monica-based producer Ben Shirken AKA Beshken, partnered up with Soraya for this simply enjoyable song, “Right Time”. It starts off slowly, with only Soraya’s voice softly caressing our ear drums alongside a keyboard, after which melds with an uptempo medley of drums and organ sounds. Occasional manipulation of vocals, and breaks in tempo add character to the song. The R&B mixed with electronic elements has me keen. I often have ADD with music, so to find a concoction like this is refreshing and intriguing. It helps that I’m a huge fan of female vocalists with the smooth characteristics that Soraya’s voice holds.

The layers that make up this song are organic and complementary; no-one is overbearing over the others. Because of this, the listener is invited to envelop himself, yet the song won’t consume him wholly. It can easily be the smooth background music in a social setting. Right now I’m picturing a couple, sitting in a dimly-lit room, getting to know each other. Is this the right time for [……….]? I can’t quite figure out what the song is alluding to, but I can infer it’s a significant moment for something to happen. What do you think?


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Kidnap Kid – Animaux

Kidnap Kid’s “Animaux” is one of the two tracks on his EP, “So Close,” released last year. With very simple and deliberate bass and electronic beats, the song will have you bumping. The rhythm is so sporadic, and his use of accented up-beats and minimal lyrics rubs me the right way.

Can I be the one?

Although it isn’t fast-paced or your quintessential dance anthem, the bouncy layers work so well together it makes me want to get out of my seat. It is also unpredictable! Which is probably why I’m hooked. I love listening to a song over time, but hearing differing prominent elements based off my mood. I’m really into the minimalistic electronic sounds at the moment, including artists like Flume and Flight Facilities. It’s simplistic in a way that makes me want more; I’m not being blasted by harsh sounds like in house music.

If you want to check out Kidnap Kid’s latest stuff, his newest EP is called “Stronger,” out earlier this year. Happy listening!

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Music Remixes

Lemaitre – Wait (Jerry Folk Remix)

Jerry Folk funks up Lemaitre’s electronic-centric track, “Wait” in the best possible way. Both artists originate from Oslo, Norway, which has produced such acts as Lido and Cashmere Cat. There’s a lot of talent up there! In this mix, Jerry has completely reworked the song by adding groove-able bass and synth, while at the same time keeping just enough of the lyrics intact. He emphasizes a nu-disco style that is easy to vibe to.

Just groove with me. Don’t forget I don’t want to see you fade away.

Waiting seems impossible in today’s society. Instant gratification doesn’t come quickly enough! Have a question? Google has the answer right now. Want a package tomorrow? Pay a little extra and you’ll have it. And what’s this drone business? We will be receiving packages in minutes in the not-so-distant-future! With answers and fulfillments to our needs so accessible, it’s difficult to be content with the things out of our control- the things that require patience. Anticipation is good though. I tend to enjoy things more if anticipation leads me to the final result. The excitement of the build oftentimes adds pleasure to my experience. Think about it: instant gratification is easy, but is it the most fulfilling option? Sometimes, yes. Cravings are best fulfilled on the spot; but what about long-term gratification? Relationships, holidays, getting into college, getting a response to a letter? It’s in these situations where we have to exercise patience. If you ask yourself what the rush is, you’ll often come to find there isn’t one! So sit back and chill, and try not to worry about things out of your control. Try to let go of that 21st-century psyche that’s telling you to you need to know. Now. 


Lemaitre – Wait (Jerry Folk Remix)

DJ Music

Kidnap Kid – Like You Used To

Friday! Finally! I hope you have a fun weekend planned ahead of you. Maybe as you’re driving/biking/walking home this afternoon, you can leave with a smile listening to this track by Kidnap Kid…

If you’ve ever put needle to vinyl, you’ll recognize the first sounds emitting from Kidnap Kid’s “Like You Used To.” It begins with a soft crackle, followed by a soft electric guitar and raspy female vocals. If you don’t typically like “electronic” or “dance” music, you might want to open your ears up to this track and take a listen. Subtlety is key.

This song is definitely something you’ll be singing along to after a few plays; or at least tapping your toes to. Maybe it’s the harmonies that have me hooked. Perhaps her soothing voice or the mellow piano, all interspersed with atypical house beats.

If you focus on her voice you’ll hear her anguish. Is she alright? I can’t help but feel that the singer isn’t ok, but faking it. She’s obviously hurt and yearning for her ex-lover, yet her words say the opposite. Whatever her true feelings, you’ll likely enjoy the way she’s expressing herself.

Kidnap Kid is an English electronic dance music DJ and producer. “Like You Used To” was featured on his single, “Stronger” released this year. A lot of his other work features more electronic, quintessential electronic sounds, but I have an affinity for this track because of the soulful vocals; everything blends together really well.

Kidnap Kid – Like You Used To

Music Remixes

Kings of Convenience – I Don’t Know What I Can Save You From (Röyksopp Remix)


Every so often, a song comes along that lodges itself not only in your ear, but in your mind. You relate to it, but aren’t sure why. Is it the wistful lyricism, or the hollow acoustics reminiscent of grandfather’s guitar? The puckering bass line, tripping through a bath of whirring starsplashes…it becomes the soundtrack your universe, along with the many other songs and stories and memories that make you who you are.

The combination of Norway’s Kings of Convenience and Röyksopp is divergent from expectations for casual fans. Kings are known for their spare, delicate guitar ballads, equally calming and staccato. Röyksopp is one of the preeminent electronic acts of the past two decades, rising to the top through sustained quality production and showstopping live performance.

Sure, electronic acts remix pop acts all the time. In this case, however, it’s a matter of history. Both duos met in grade school (as in, the Kings singer me the Kings drummer), and had records out by high school (though under different monikiers). In the early 1990s, the Norwegian electronic scene settled in Bergen, a city of two million, and the recently formed Röyksopp collaborated with future Kings singer Erland  Øye. And 17 years later, this fantastic remix dropped.

“I Don’t Know What I Can Save You From” is a song I’ve kept to myself for a long time. I don’t put it on shared playlists, or play it at public gatherings. I feel greedy for it, the chance to settle into the music and let my imagination drift. Our digital world pressures us to share, share, share; to brand ourselves through posts and shapshots. And we oblige, for no specific reason. But we all know that no digital footprint can ever show the person inside. Only years of intimacy can ever offer a partial image of the soul.

Today, I offer this track as a glimpse of the person behind the posts. Really, every song we post is a taste of us, a coy reference to something going on behind the screen. In this anonymous world, the music gives us voice. And we hope that, every time we share a piece of ourselves, your day gets just a little bit better.

Kings of Convenience – I Don’t Know What I Can Save You From (Röyksopp Remix)

Music Remixes

Moby – Dream About Me (Booka Shade Remix)

az_21957_Go the Very Best of Moby (Dlx)_Moby

My father dreams of flying, circling with gulls among the billowing sails of the clipper ships pulling into harbor. He recounts his reverie in giddy excitement over a cup of coffee, his hair still tousled from the whipping wind.

My sister dreams of a haircut undesired. “You’ll need to cut it all off if you want to leave this place.”

My neighbor dreams of chocolate, a bathtub full of the good Belgian stuff that his grandmother used to give him when his mother wasn’t looking.

My friend dreams of the perfect wave, curling into a never-ending barrel she can ride into the sunset.

My grandfather dreams of angels in the clouds. They stroke their lyres and call to him. The warm light of a life well lived floods his bedroom.

My boss dreams of sleeping in, and having breakfast with his family. But the alarm sounds and he’s off into the dawn.

The woman sleeping in her car in front of my apartment building dreams of a time before. There had been a fire and a family. But no longer.

My cat dreams of lizards, scampering across his eyeline and dying with grace as he tears their bellies to shreds and purrs with pride.

I dream of losing all my teeth. First they fall out, one by one, before pouring from my mouth in a torrent. What does that mean?

You tell me your dreams when you wake up, huddled close for warmth. You tell me that you dream of adventure, of sleeping in, of flying, of a cozy winter night. You tell me what your dreams mean. Who am I to say if you’re right or wrong?

Who am I to ask, that you dream about me.

Moby – Dream About Me (Booka Shade Remix)


The Presets – Ghosts

The Presets Ghosts

Australia has been hot (accidental pun alert) for the past few years, sending a wave of artists across the blogosphere and into festival lineups the world over:Tame Impala, Empire of the Sun, Gotye, Nick Cave and more.

The distinguishing factor that unites Aussi exports is “uniqueness.” These bands all sound different from anything else in their genre (you know I hate that word…) and stick because of it.

The Presets are an electronic music duo that swing from emotive power pop to metal-tronica in the span of a few tracks. Their evolution over eight years and three albums is remarkable, with a completely new sound that is still pure Presets. Live shows are required for people who like to dance. Basically, they fucking rock.

“Ghosts,” the lead single off their most recent album “Pacifica,” is unlike anything the band has ever put out. It is a twisted ballad, a military dirge with an uncertain message, that rides on a bed of soft synths. If that sounds like a dissonant match, you aren’t wrong, but it works here.


“Once I was a very young man, and very young men are none too clever

Sailed across to faraway lands, and faraway towns of tin and terror

Ran amok in a strip called love, lost my mind in streets of neon

Now, I’m coming on back

Help me up move right, left foot forward.”


The Preset’s unique quality comes via singer Julian Hamilton’s vocals, which are truly unlike anyone else gracing the airwaves, and producer Kim Moyes’ insistance of building unrelenting tension that never leads to a drop. WAIT WHAT NO DROPS? WHAT WILL THE KIDS THINK?

This is electronic music for the intellectual, albeit the intellectual who wants to fight hordes of moshers in a strobe-lit pit. No drops, no jokes, pure power.

The Presets – Ghosts


EMPT Presents Indaba Music Weekly: DJsiah – “Lights Are Getting Closer”


Jesiah, AKA DJsiah, is a busy man. Between his professional music pursuits creating music for commercials and major labels, he finds time to indulge himself in the artistic. His sonic creations are always immaculate, with transparent mixes, effective sounds, and a clear production style.

One of his recent efforts, “Lights Are Getting Closer”, is the perfect mix of EDM maximalism and indie melodic ideas. It’s infections melody is reminiscent of Passion Pit’s hit “The Reeling”, and is just as adept at working it’s way into your mind. Framing the melody are seriously dynamic drums, which ground the whole tune with a hard hitting foundation. Try and sit still while you listen, it’s not that easy.

Lights are getting closer

You can checkout more of DJsiah’s work on Indaba Music Soundcloud and on his website..

Music Remixes Video


Just a month after their Mt. Fuji debut on EMPT, GRUMBY has quickly returned to the scene with another masterful piece of artistry. In this remix of Ginuwine’s “So Anxious,” the duo take you on another charged journey exploring the depths of the frequency spectrum with incredibly mesmerizing soundscapes.

In the accompanying video, directed by the talented KEY10, we see a man restrained to a past love, so much so that he’s lost within his own mind, obsessed with thoughts of her image. As he tries to break the chains, the memories grow in intensity and the man finds himself in a desert wasteland, surrounded by televisions broadcasting her image. Yet, as the intensity rises, he chooses to face his past, and we see him move forward into the future, the TV shutting off as he walks into the distance.

Equally stunning is the soundtrack, pairing moments of high anxiety with driving bass and heavy drum patterns, and moments of calm with ethereal synth vibrations.

Grab your FREE DOWNLOAD below:
Ginuwine – Sø Anxiøus (GRUMBY REMIX)

Follow GRUMBY here:


EMPT Presents: Indaba Music Weekly – Akbo “Petrichords”


Channelling the vibe of his fellow frenchmen Daft Punk and the en vogue “big synth” sound of Kavinsky, Akbo shows us why some of the deepest house music is coming out of l’Hexagone.

With a slowly filtered intro and a storm overlay that helps build the tension, Akbo artfully begins to build the song. “Petrichords” is dark with an immediately catchy bass line. A heavily vocoded and obfuscated voice seems to egg you on to “dance”, but the voice is otherworldly. It’s as if there were hands from the grave protruding through the dance floor moving the occupants feet, pushing them to dance slowly, and in perpetuity. When the build comes to a head, Akbo deftly uses harmony to further the overall feeling of the track, using descending major chords that eventually cycle around to a major tonic. But it’s not the major that music 101 classes would try to classify as “happy”, it’s a spiral toward something else.

Akbo – Petrichords