Kevin Casey’s Sample Saturday – The Temptations et Gang Starr

First off, ya Gangster is cosmetic.  Ok – Fresh out D&D Studios in 2003 was Gang Starr’s last album The Ownerz, which was their 6th.  Their first album was released in 1989, yes the 80’s, and some of the records were recorded as early as ’87.  Through the evolution of a growing genre, Gang Starr saw their way through 14 years of in your face, East Coast grit.  With this genre that we speak of basically running the media world, the late Guru was still left unmentioned during this year’s Grammys. Huh?  I disagree with that personally.  Since I live and breath music with my peers every day, I gain extra respect for those that did the same years before me, and shaped the sound that creatively I interpret and interpolate. Yup, that’s exactly what I meant.  Exhibit A – “Rite Where U Stand”.  And as in a perfect scenario, Jadakiss also takes his talents to this record.

Respect first then money, basic shit.  You got niggas under pressure, you can take they shit.”

Kiss’ verse always stands out to me when thinking of the his long list of classics.  Rewind and replay. And of course… Primo on the beat.  The intro to The Temptations “Gonna Keep On Trying Till I Win Your Love” gets the hard chop treatment, definitely can’t say anyone does it better.  The chop at 0:05 flip flops with the piano from 0:02, and the drums stretch the swing limits.  Hip Hop professor Premier pinpoints “Your ganster is cosmetic” (2:46) from QB’s Finest “The Bridge 2001”, amongst other samples and scratches in a punch to the hook.  This record dares the listener to step up to the level of the music, and really go to war.  I wanna go to war with a team… and i know Hec is tryna get it over quick, leave you rite where u stand.

I see you got the fear of God in you, I’ll tear your heart in two.”

The Temptations – Gonna Keep On Trying Till I Win Your Love

QB’s Finest – The Bridge 2001

Gang Starr ft. Jadakiss – Rite Where U Stand

via KevinCaseyMusic


Kevin Casey’s Sample Saturday – Samuel Jonathan Johnson et Jadakiss

Fuck….the…..frail shit….As we discussed last week with Raekwon and Ghostface, very few artists in the rap game really have that chemistry on the mic.  Another pair that do is Jadakiss and Styles P. of The L.O.X., and throw in Alchemist on the boards and you’re guaranteed to have something hard. “We Gonna Make It” is one of the standout tracks off the under appreciated Kiss the Game Goodbye album, and features the grimy street talk that fans of The L.O.X. are accustomed to.  Last year of high school I’ll never forgot one of my boys wanted to make the opening lines of “We Gonna Make It” his senor quote in the yearbook, needless to say the school disapproved.

Anyone unfamiliar with the work Alchemist has put it should take the time to really observe this dude’s discography.  Not just records, but certified classics almost all the way through.  His ability to take samples and turn them into something completely different has separated him from the rest. Alchemist beats have provided crack for underground acts like Dilated Peoples to some of the most well known and legendary artists like in rap such as Mobb Deep, Nas, and Ghostface. He also took the bold step to produce every track for his own albums.  The money chop for “We Gonna Make It” is from 3:23 mark of “My Music” by Samuel Jonathan Johnson.  Hard street record that could still get the right crowd moving in a club… rarity these days.

Samuel Jonathan Johnson – My Music

Jadakiss ft. Styles P – We Gonna Make It

via KevinCaseyMusic

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Kevin Casey Music Presents Live From New York (1994-2001)

Man look at these suckers. I ain’t no rapper, I’m a hustler. It just so happens I know how to rap.”

In the beginning Hip Hop was about b-boying, djing, graffiti and emceeing. The drug game of the late 1980’s changed the ghetto so, it was only natural that it would change the music as well. Additionally, Hip Hop itself became quite profitable and in turn created an opportunity for a lot of trapped young artists to leave a life of crime, danger and limits. I’ve come to realize that people perform at the highest level when their backs are against the wall. The extreme conditions and adversity that came from living in the hood was transferred into a musical energy and ‘realness’ that was able to touch and reach an entire world. It was survival of the fittest and to be an emcee in the 90’s you had to hold your own, no exceptions.

You see me all my life I had to sell drugs, while you grew up with straight nerds, I grew up with thugs.”

Why the brief history? Well, if you want to appreciate New York City’s mid to late 90’s Hip Hop you’ll have to realize that these guys aren’t just talking loud and being aggressive for no reason, they’re representing an attitude one needed to have in order to survive and stay sane in the concrete jungle that was NYC in the 90’s. Look at it this way, you don’t go into a battlefield to put your gun down, read a book, have some tea and talk about where you want to summer next year. You’re going to be screaming and hollering, cold, alert and focused at all costs; you’re going to be aggressive and you’re going to be challenging that next man if he’s trying to take you out. Like I said, it was a concrete jungle and survival of the fittest was the type of mentality that applied, “only the strong survive”

That was the mindset in NYC because prior and even during Guiliani that was the reality. I’m not praising it or saying it was correct but if you want to appreciate the music for what it is without having actually experienced that lifestyle, then you have to listen with some perspective. So when you hear lyrics that sound somewhat extreme, violent, and brutal, understand that that is just the top layer and the language only serves to represent issues that went much deeper than the words being used to represent them. Lastly, the only way to escape an extreme circumstance sometimes is to develop an extreme type of mentality. Most people don’t have to deal with such challenges in life so it may be hard to relate. For the sake of this mixtape I suggest you try, it will be worth it.

With that said, we exclusively present a mixtape that captures that time in New York City better then anything I’ve yet to hear – Kevin Casey Music Presents: Live From New York. Officially this is a mixtape but the editing and thought process displayed on this tape will make you think you are listening to an extremely well produced album. The transitions and details from song to song are flawless and carefully crafted. It’s not often a mixtape displays this level of depth with no compromise of quality. Kevin Casey has done his research to provide listeners with an expansive yet refined taste for the best NYC had to offer. Pretty much all classic mainstream and underground NYC hits are represented. However, only the best verses from the wide spectrum made the cut, making the listening experience easy and extremely entertaining. Having grown up listening to this music, I can tell you this was no easy task. Rappers were hungry back in the day and there were a lot of good verses but Casey did in fact manage to narrow it down to the best. All the rappers you hear on this tape are at their absolute prime and deliver their lyrics with the energy and hostility of the street. Like the time it represents, this tape is hardcore, gritty, challenging and extremely entertaining. This mixtape is available as a free download at and was made for the sole purpose of spreading good music. It’s been a while since New York City’s golden era was revisited with such thoughtfulness and sincerity; this is truly worth the listen. All that said, let me end this post like the tape begins:

New York will… not… lose… ever!

Live From New York (Intro)

Live From New York (Intro)