EMPT Presents: Le Miel du Mois Summer 2014

Relax your mind, and folks unwind and be kind to a rhythm that you hardly find
And off we go, let the trumpets blow
Well hold on, because the driver of the mission is a pro, 
The Ruler’s back…” – Slick Rick (The Ruler’s Back)

That’s right folksthe underground’s most eclectic, most uninhibited, most poetic, futuristic, most imitated, but never duplicated mixtape is back in action, and as expected from all tapes worthy of the name LMDMin grand fashion. We don’t release for the sake of releasing here, our intention is always to be the best, offer the best and be real at every minute in the process. So if you’re wondering why the hold-up, it’s because life has been happening and we weren’t just going to put something out we didn’t feel. As long time readers know: we don’t fake it here…

I live by the funk, I die by the funk…” – Notorious B.I.G. (Machine Gun Funk)

The last time I saw Steph she was at her wedding. We know each other and connected years ago because of music, and here I am at her weddingdamn. How does this mixtape start Steph – “So you come a long way, huh!?”

It was so inspiring to be around so much love and family. It was an honor to see her take that step, to be there amongst her most-cherished because she is certainly one of mine. On behalf of the EMPT army, congratulations!

I represent the Space Age where all institution is up for revamp, examination, and ready to be destroyed or challenged, but one thing that stays true is the importance of family. Sure, there are corny people that abuse love and family itself, but when a group of people understand the bond and importance of blood and use that as support, there is literally nothing stopping them. Believe me when I say this, the people who run the world are the tightest families you’ll never know of. The institution is being destroyed on purpose because a world without people who would die for one other is easily malleable, but we can’t let that get diluted or forget it’s value. So why was LMDM on hold? Because Steph was building a family, you basic bitches!

But we still love you all & here we are, back with LMDM Summer and like I said earlier: it’s heavenly.

As usual there’s 360 degrees of styles uniquely bound by Steph’s masterful mind. Everybody knows that no two LMDM‘s are the same, and this one is no exception, so don’t take the title for granted.

This is truly a summer-tape perfect for all your hot weather activities. I think Steph spent her honeymoon in Thailand and Cambodia or something amazing like that. Or as Steph put it…

Pure, calm and escaping love ❤️”

I can easily picture myself with my close ones bumping LMDM Summer while chilling in an infinity pool somewhere in the middle of a forest or some futuristic shit like that. As usual, I highly recommend pressing play and letting the tape rock till it stops. The adventure is beautiful, it’s custom-made for the Space Age kids, for you. Enjoy.

Relax your mind, let your conscience be free.
And get down to the sound of EPMD EMPT. – EPMD (You Gots to Chill)


  1. Jungle – Busy Earnin
  2. Coucheron – Deep End
  3. Phoria – Once Again (Layzie Edits)
  4. Haring – Us
  5. Racing Glaciers- First Light (Backstroke Remix)
  6. The Aston Shuffle – Tear it Down (GAMPER & DADONI Remix)
  7. Wild Ones – Row (Francisco Y Madero Remix)
  8. Panama – How We Feel
  9. Lykke Li – No Rest For The Wicked (Joris Voorn Remix)
  10. Peaking Lights – Beautiful Son (John Talabot’s Acetate Dub)
  11. Wild Nothing – Shadow
  12. Twin Sister – Daniel
  13. Goldfish – Moonwalk Away
  14. Sons Et Al – Day by Day
  15. Bronze Whale – Weird Dark Things (Ft. Khai)
  16. Bright Moments – Tourists
  17. SOHN – Bloodflows
  18. The Shoe – Dead Rabbit Hopes



SOHN et Bowery Ballroom

I’m not alone when I say that last week was remarkably overloaded with talented artists swarming the scene in New York City. Regardless of the rain and foggy overtone that flooded the streets, I still made my way to the sold-out SOHN performance at Bowery Ballroom on the Lower East Side. Having spent the previous night on the ground floor for Shlomo, I chose a different locale this time and perched myself on the 2nd floor in order to get an aerial view that was not bombarded with humans and cellphones.  I could be submerged into the music without distractions.

Seducing the world via his own brand of dream-soaked synth and lushed out R&B, Christopher Taylor, aka SOHN, is a force to be reckoned with. He did not hold back during the 75-minute show that encompassed all of our favorite tracks on his new full-length album Tremors. Surrounded by two other musicians, SOHN was dead beat in the middle.  At first glance, you might think he was a fellow New Yorker, wearing only black on stage and a hoody pulled up so all you could see was his silhouette.  But no, this Vienna-based London-born producer and vocalist certainly had a much more relaxed tone, with a significantly slower pace, everything that a native New Yorker doesn’t possess. These subdued vocals entered your brain waves and immediately disregarded thoughts of your day-to-day responsibilities and hustle and bustle that living in a city begs of you.

Watching him on stage transported me out of this consumer feeding frenzy and drew me into each word, watching his hands groove so freely with the airy synths and slow-motion bass. Once he began to sing, his vibrato tenor began to press against the heavy, pattering synths and looped vocals and I began to float. The audience fell silent and we all collectively felt the strong threads of melancholy. Influences of Björk and Radiohead were prominent, as well as the noticeable similar characteristics of James Blake and Autre Ne Veut. But each song started off slow and steady. Every whisper of sound caused the LED lights to synchronize with the bass, and deep vibrant colors of green, white, and red were displayed; each one, painstakingly released pure raw emotions into the atmosphere.

In a recent article, SOHN described his work with moments of positivity, however, they come across in a very dark and dreary way. For instance, his song titled, “The Wheel” begins with, “I died a week ago.” It’s clear that the atmosphere is murky, but this man explains that he intends for the listener to understand that it is a new beginning or fresh start. You can be reborn and have this freedom to be who you want, when you want, and go in any direction your heart chooses. For me, these elements were the core moments I took away from the show.

Each morning we wake up is a new beginning, and we get to make choices that will ultimately shape our journey on this planet.  I hope all of you have a chance to see SOHN live, and if not, then blast the album and you too will feel the rebirth. If you have fallen in love, recently separated, had your heart broken, or find yourself on the prowl for the love of your life, remember that we all have the power to attract — we all have shining souls, and what you project onto others will come back to you.

The takeaway: Positivity comes in many ways, even through darkness.

S O H N – Artifice