Para One – Every Little Thing Remix (Featuring Cam’ron, Irfane & Teki Latex)

para one every little thing remix camron irfane tekilatex

Who could’ve seen this coming?

We live in a world that leaves us over stimulated and prone to disaffection. Blasé attitudes and nonchalance can certainly be an attractive pose. It’s natural – how many times have you found yourself it pursuit of another when they met your advances with a reaction that registered just beneath indifference? So we might stifle our true feeling. Rather than allow an uncoordinated reaction make us look foolish, we might bury our stronger impulses only to find later that they’re harder to dig back up again later. And sometimes things stay dead.

So what happens when you’re greeted with something that’s so flush with greatness like this? Was anybody asking that Cam’ron hop onto a French electro cut from last year? If it was you, please raise your hand. Don’t be shy, we’re all grateful for what you’ve accomplished.

Para One’s Passion was one of the great surprises of last year, an album that was nuanced, catchy, and never failed to sound unique. So its fitting, then, that the man born Jean-Baptiste de Laubier has given us one of the first great surprises of 2013. Every Little Thing was one of the standouts from that album and that haven’t done much to the original outside of Killa Cam’s presence all over this thing. His verses act as a welcome counterbalance to the romantic melancholy of the original. A pitch-shifted would-be lothario speaks of not “wanting to come across as a lonely man” and of throwing pebbles at bedroom windows. Then Cam rolls in.

Girl I know this
That bod you got, it’s hot
I’m focused
I usually tell a girl to blow this
Then disappear, in the air, like

I’m want some knowledge, some knowledge baby
I’m smart of you
Real smart, got a car too
But like a car, I’m startin’ you…”

But putting it to paper doesn’t really do it justice. It’s all in the delivery, from Cam’s sibilance to the confidence in his voice that makes everything sound tossed off without a second thought. This braggadocio is a natural fit atop the plush instrumental underneath. Did I mention the instrumental? Pangs of lush 80s synths are pinned together with some very vintage sounding drum beats.

Like manna from heaven.

Para One  – Every Little Thing Remix (Featuring Cam’ron, Irfane & Teki Latex)


Kevin Casey’s Sample Saturday – William Bell and Mavis Staples et Cam’ron

On friday night, I rolled to CV Lounge with my brother Scram Jones while he did his DJ thing, and shut down the club as usual.  Around 2 a.m. Kanye came through and played 4 records from his new album. The music was inspiring, and the vibe in the small lounge was very unique, and dare I say “sexy.”  After Plain Pat dropped the new records, he then played a set of Rocafella classics, including many Kanye productions.  The music took over completely, as Yeezy, Kid Cudi, and many others sang each song word for word, creating an incredible energy throughout the club.  It was a celebration of good music, and I popped out of the booth for a minute to be a part of it.  The moment that stuck in my head besides the new Kanye records, was during the Yeezy and Cam collabo, “Down & Out.”

Kanye provides the hook, and the beat of course.  Move forward to the 1:33 mark of “Strung Out Over You” and you will hear the segment used for the intro of the song.  The sample builds up until the beat drops with two horn stabs.  Yeezy chops things up to perfection to create the main section of the beat which flips back and forth between two separate 2 bar pieces.  Cam’ron gives the song that Harlem swag, and Syleena Johnson lends her voice to the hook to complete the record.  Now that Killa Cam is back on the scene, I would love to hear another project with him and Kanye.  Its that 1970’s heroin flow.

William Bell & Mavis Staples – Strung Out Over You

Cam’ron ft. Kanye West – Down & Out

via Kevin Casey Music


Kevin Casey Music Presents Live From New York (1994-2001)

Man look at these suckers. I ain’t no rapper, I’m a hustler. It just so happens I know how to rap.”

In the beginning Hip Hop was about b-boying, djing, graffiti and emceeing. The drug game of the late 1980’s changed the ghetto so, it was only natural that it would change the music as well. Additionally, Hip Hop itself became quite profitable and in turn created an opportunity for a lot of trapped young artists to leave a life of crime, danger and limits. I’ve come to realize that people perform at the highest level when their backs are against the wall. The extreme conditions and adversity that came from living in the hood was transferred into a musical energy and ‘realness’ that was able to touch and reach an entire world. It was survival of the fittest and to be an emcee in the 90’s you had to hold your own, no exceptions.

You see me all my life I had to sell drugs, while you grew up with straight nerds, I grew up with thugs.”

Why the brief history? Well, if you want to appreciate New York City’s mid to late 90’s Hip Hop you’ll have to realize that these guys aren’t just talking loud and being aggressive for no reason, they’re representing an attitude one needed to have in order to survive and stay sane in the concrete jungle that was NYC in the 90’s. Look at it this way, you don’t go into a battlefield to put your gun down, read a book, have some tea and talk about where you want to summer next year. You’re going to be screaming and hollering, cold, alert and focused at all costs; you’re going to be aggressive and you’re going to be challenging that next man if he’s trying to take you out. Like I said, it was a concrete jungle and survival of the fittest was the type of mentality that applied, “only the strong survive”

That was the mindset in NYC because prior and even during Guiliani that was the reality. I’m not praising it or saying it was correct but if you want to appreciate the music for what it is without having actually experienced that lifestyle, then you have to listen with some perspective. So when you hear lyrics that sound somewhat extreme, violent, and brutal, understand that that is just the top layer and the language only serves to represent issues that went much deeper than the words being used to represent them. Lastly, the only way to escape an extreme circumstance sometimes is to develop an extreme type of mentality. Most people don’t have to deal with such challenges in life so it may be hard to relate. For the sake of this mixtape I suggest you try, it will be worth it.

With that said, we exclusively present a mixtape that captures that time in New York City better then anything I’ve yet to hear – Kevin Casey Music Presents: Live From New York. Officially this is a mixtape but the editing and thought process displayed on this tape will make you think you are listening to an extremely well produced album. The transitions and details from song to song are flawless and carefully crafted. It’s not often a mixtape displays this level of depth with no compromise of quality. Kevin Casey has done his research to provide listeners with an expansive yet refined taste for the best NYC had to offer. Pretty much all classic mainstream and underground NYC hits are represented. However, only the best verses from the wide spectrum made the cut, making the listening experience easy and extremely entertaining. Having grown up listening to this music, I can tell you this was no easy task. Rappers were hungry back in the day and there were a lot of good verses but Casey did in fact manage to narrow it down to the best. All the rappers you hear on this tape are at their absolute prime and deliver their lyrics with the energy and hostility of the street. Like the time it represents, this tape is hardcore, gritty, challenging and extremely entertaining. This mixtape is available as a free download at and was made for the sole purpose of spreading good music. It’s been a while since New York City’s golden era was revisited with such thoughtfulness and sincerity; this is truly worth the listen. All that said, let me end this post like the tape begins:

New York will… not… lose… ever!

Live From New York (Intro)

Live From New York (Intro)